Brain Teaser: Voice Without Word Choice
Purpose of Exercise: This exercise fosters creative thinking in descriptions, development of voice, and playing effectively with sarcasm.
Description: Students must write without the freedom of word choice, forcing them to compensate and develop other aspects of their voice with the selection of adjectives you give them. You should consider some unlikely persons, places, and things to pair those adjectives with.
Suggested Time: 10 – 40 minutes
Procedure: Compile your group of words one of a few ways. Either have the class (without telling why) contribute adjectives and adverbs of their own to write up on the board, or with their help, select a number of them from a recent reading. Select a few adjectives from among these. Then, ask them to describe certain occupations or entities usually not grouped with those words. For instance, select three words out of the group, like “Cornucopian”, “opulent”, or “affluent” and ask them to describer a beggar. Or, you might ask them to describe Arnold Schwarzenegger using the words “Tenuous”, “Feeble”, and “Sickly”.
The trick is for them to creatively – using other components of style, namely their imagination but also things like tone and sentence structure – describe these people, places, things by their adjective antonyms. Importantly, they can’t ever say that the beggar, for example, was simply “not” any of those words. Perhaps they’ll compare him to other beggars, i.e. "he was an upper-class, high fluting, rather opulently dressed beggar", or perhaps they’ll have the beggar imagine being such things though he isn’t. If your class is stuck, give them this example to help them see what’s possible.
The activity's main goal is to exercise their creativity, forcing them to write out of a difficult situation with something other than word choice – and to discover how colorful sarcasm might work. Take note of the ways students try to get out of it; this is an exercise that you can do repeatedly, using different words and with different objects to describe. If you have the class repeat it, make their first escape techniques taboo for their next attempt.
Discuss the results as a class. If you’re working through a draft or a short story or an article, etc., you might assign a journal in which they take a person, place, or thing from their piece and retool their description using what they’ve learned. Another option is to ask them to bring their draft to class, and perform the exercise the second time on their own writing.